Palazzo Newsletter July 17, 2008 Premiere Issue
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Page 5 |
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The Charm of Provence |
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Decorating Provence Style
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Create the Look The French style and decorate their homes effortlessly with simple panache. With unmatched elan, they know easily how to pair the ornate with the minimalist; the old with the new. The French understand with unerring ability when the grandiose should be mitigated through the power of the understated. In Provence, the warm climate and the influence of outdoor living is reflected through color and simplicity. Pigments of the earth, particularly yellow ochre, often seen on both indoor and outdoor walls, are a significant nod to the mountains of the Luberon. But creating coolness, light and tranquility are always foremost in consideration. This usually translates in a rather Gustavian use of soft, muted colors--whites, grays, faded blue or perhaps a shot of turquoise for color. Ever present are natural fabrics like cotton and linen as well as a mix of the traditional "indiennes" (printed calicos) produced in Marseille and Avignon. Closer to the Riviera, bright and powerful hues, often against a backdrop of white, reflect the Mediterranean setting. Bold prints add an exotic and contemporary drama. Most authentic Provencal furniture is traditionally built of walnut, some with carved motifs. Painted furniture is also popular--again, in shades of cool grays, putty and whites. How fitting that the divan of the sitting room, called a radassiere, originated from the Provencal word that means "to dawdle, laze about," surely created to relax from the intense midday sun. But with terracotta floor tiles known locally as malouns underfoot, Provencal homes remain cool and pleasant in spite of the heat. As with most all other considerations in Provence, homes are decorated in concert with relationship to the land. The beauty of the landscape and the rigors of the climate dictate choices that do not overpower but rather collaborate with the natural beauty of Provence.
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Provencal Escapes Caroline Clifton-Mogg Photographs by Christopher Drake
How to....
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